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Elizabeth Thompson develops the idea of the pioneer woman as an archetypal character firmly entrenched in Canadian fiction and the Canadian consciousness. Thompson's broad definition of the concept of pioneer can be seen to reflect the history of Canadian women, starting with the pioneers of settlement and continuing through the pioneers of spiritual perfection and psychological liberation. Various versions of the pioneer woman have appeared in English-Canadian fiction since Traill's development of the character type. Sara Jeannette Duncan's The Imperialist and Ralph Connor's The Man From Glengarry and Glengarry School Days feature pioneer women who cope not only with physical frontiers but also with those grounded in social and personal concerns. More recently, Margaret Laurence used this character type in The Stone Angel, A Jest of God, and The Diviners, with characters who inhabit internal, personal frontiers. Thompson argues that the longevity of this character type in English-Canadian fiction reveals an affinity between the pioneer woman and a common conception of the role of women in Canadian society. She suggests that the role for women proposed by the early immigrants was an appropriate choice for the Canadian frontier, regardless of the location and nature of that frontier.

Women pioneers in literature.

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Much has been made of the image of writers in Paris-romanticized and idealized in fiction and on screen, these émigré artists in sidewalk cafés spark our imagination with unusual force. But rarely do the real-life figures speak to us directly to comment on their work, their lives, and their reasons for choosing to live and work in Paris.In these striking interviews, E. M. Cioran, Julio Cortázar, Brion Gysin, Eugène Ionesco, Carlos Fuentes, Jean-Claude Carrière, Milan Kundera, Nathalie Sarraute, and Edmund Jabès do just this as they speak out on the risks they've taken, on the

Authors -- Interviews. --- Paris (France) -- In literature. --- Paris (France) --- In literature.

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Poetry --- Architecture, Domestic, in literature. --- Dwellings in literature. --- French poetry --- Home in literature. --- History and criticism.

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English literature --- Thematology --- anno 1800-1899 --- English fiction --- -History in literature --- Realism in literature --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- History and criticism --- History in literature

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For James McMichael, Joyce's Ulysses invites the wide range of interpretations it has received: what it also does is to prod its interpreters to put the book to some just use. If Ulysses were more conventional than it is, McMichael claims, its readers could set more comfortable limits for themselves in their responses to it, limits that did not extend beyond Ulysses into their dealings with persons in the world. But what happens instead is that the singularly unconventional narrative structure of Ulysses keeps reminding them that the story they are being told about any of the characters is the same kind of story they tell themselves whenever they think about a person. It reminds them that every person needs to be responded to justly and that the justice of their response to any person depends on how justly they characterize that person in their thoughts. McMichael insists that it is justice that Joyce himself most wants. Distinguishing Joyce not only from the immature Stephen Dedalus but also from Ulysses' perfectly unresponsive narrator, this study describes Joyce's tacit but discomforting plea that Ulysses be judged not so much for its literary mastery as for the degree to which it is a just response to persons in need.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Justice in literature. --- Joyce, James, --- Joyce, James